| First, brace your bow. To do this properly, grasp | | | | should hold his posture a second, bow arm rigidly |
| it at the handle with your right hand, the upper | | | | extended, drawing hand to his jaw, right elbow |
| horn upward and the back toward you. Place the | | | | horizontal. This insures that he maintains the |
| lower horn at the instep of your right foot, and | | | | proper position during the shot. There should be |
| the base of your left palm against the back of | | | | no jerking, swinging, or casting motions; all must |
| the bow, near the top below the loop of the | | | | be done evenly and deliberately.The shaft should |
| string. Holding your left arm stiff and toward your | | | | fly from the bowstring like a bird, without quaver |
| left side, your right elbow fixed on your hip, pull | | | | or flutter. All depends upon a sharp resilient |
| up on the handle by twisting your body so that | | | | release.Having observed all the prerequisites of |
| the bow is sprung away from you. The string is | | | | good shooting, nothing so insures a keen, true |
| now relaxed, and the fingers of the left hand push | | | | arrow flight as an effort of supreme tension |
| it upward till it slips in the nock.Don't try to force | | | | during the release. The chest is held rigid in a |
| the string, and don't get your fingers caught | | | | position of moderate inspiration, the back muscles |
| beneath it. Do most of the work with the right | | | | are set and every tendon is drawn into elastic |
| hand pulling against the rigid left arm.The proper | | | | strain; in fact, to be successful, the whole act |
| distance between the bow and the string at the | | | | should be characterized by the utmost |
| handle is six inches. This is ordinarily measured by | | | | vigor.Game shooting differs from target shooting |
| setting the fist on the handle and the thumb | | | | in that with the latter a point of aim is used, and |
| sticking upright, where it should touch the string. | | | | the archer fixes his eyes upon this point which is |
| This is the ancient fistmele, an archer's measure, | | | | perpendicular above or below the bull's-eye. The |
| also used in measuring lumber.Hunting bows should | | | | arrowhead is held on the point of aim, and when |
| be strung a little less than this because of the | | | | loosed, flies not along the line of vision, but |
| prolonged strain on them. Target bows shoot | | | | describes a curve upward, descends and strikes |
| cleaner when higher strung.Change your bow to | | | | not the point of aim, but the bull's-eye.The field |
| your left hand and drop the arm so that the | | | | archer should learn to estimate distances correctly |
| upper end of the bow swings across the body in | | | | by eye. He should practice pacing measured |
| a horizontal position. Draw an arrow from the | | | | lengths, so that he can tell how many yards any |
| quiver with the right hand and carry it across the | | | | object may be from him.In hunting he should |
| bow till it rests on the left side at the top of the | | | | make a mental note of this before he shoots. In |
| handle. Place the left forefinger over the shaft | | | | fact we nearly always call the number of yards |
| and keep it from slipping while you shift your right | | | | before we loose the arrow.Where a strong |
| hand to the arrow-nock, thumb uppermost. Push | | | | cross-wind exists, a certain amount of windage is |
| the arrow forward, at the same time rotating it | | | | allowed. But up to sixty yards the lateral deflexion |
| until the cock feather, or that perpendicular to the | | | | from wind is negligible; past this it may amount to |
| nock, is away from the bow. As the feathers | | | | three or four feet.In clout shooting and target |
| pass over the string and the thumb still rests on | | | | practice, one must take wind into consideration. In |
| the nock, slip the fingers beneath the string and | | | | hunting we only consider it when approaching |
| fit it in the arrow-nock.Now turn the bow upright | | | | game, as a carrier of scent, because our hunting |
| and remove your left forefinger from its position | | | | ranges are well under a hundred yards and our |
| across the shaft. The arrow should rest on the | | | | heavy hunting shafts tack into the wind with little |
| knuckles without lateral support. Now place your | | | | lateral drift.No matter how much a man may |
| fingers in position for shooting. The release used | | | | shoot, he is forever struggling with his technique. I |
| by the old English is the best. This consists in | | | | remember getting a letter from an old archer |
| placing three fingers on the string, one above the | | | | who had shot the bow for more than fifty years. |
| arrow, two below. The string rests midway | | | | He was past seventy and had to resort to a |
| between the last joint and the tip of the finger. | | | | thirty-five pound weapon. He complained that his |
| The thumb should not touch the arrow, but lie | | | | release was faulty, but he felt that with a little |
| curled up in the palm.The release used by children | | | | more practice he could perfect his loose and |
| consists in pinching the arrow between the thumb | | | | make a perfect shot. Since writing he has entered |
| and forefinger, and is known as the primary loose. | | | | the Happy Hunting Grounds, still a trifle off in |
| This type is not strong enough to draw an arrow | | | | form.Even a sylvan archer needs to practice form |
| half way on a hunting bow.Stand sidewise to your | | | | at the targets. He should study the game from its |
| mark, with the feet eight or ten inches apart, at | | | | scientific principles as formulated by Horace Ford, |
| right angles to the line of shot. Straighten your | | | | the greatest target shot ever known.The |
| body, stiffen the back, expand the chest, turn the | | | | point-of-aim system and target practice improve |
| head fully facing the mark, look at it squarely, and | | | | one's hunting. Hunting, on the other hand, spoils |
| draw your bow across the body, extending the | | | | one's target work. The use of heavy bows so |
| left arm as you draw the right hand toward the | | | | accustoms the muscles to gross reactions that |
| chin.Draw the arrow steadily, in the exact plane of | | | | they fail to adjust themselves to the finer |
| your mark, so that when the full draw is obtained | | | | requirements of light bows and to the precise |
| and the arrowhead touches the left hand, the | | | | technique of the target range.The field archer |
| right forefinger touches a spot on the jaw | | | | gets his practice by going out in the open and |
| perpendicularly below the right eye and the right | | | | shooting at marks of any sort, at all distances, |
| elbow is in a continuous line with the arrow. This | | | | from five to two hundred yards. A bush, a stray |
| point on the jaw below the eye is fixed and | | | | piece of paper, a flower, a shadow on the grass, |
| never varies; no matter how close or how far | | | | all are objects for his shafts.The open heath, |
| the shot, the butt of the arrow is always drawn | | | | shaded forest, hills and dales, all make good |
| to the jaw, not to the eye, nor to the ear. Thus | | | | grounds. As he comes over a knoll a bush on the |
| the eye glances along the entire length of the | | | | farther side represents a deer, he shoots |
| shaft and keeps it in perfect line. The bow hand | | | | instantly. He must learn to run, to stop short and |
| may be lowered or raised to obtain the proper | | | | shoot, fresh or weary he must be able to draw |
| elevation and length of flight. The left arm is held | | | | his bow and discharge one arrow after another. |
| rigidly but not absolutely extended and locked at | | | | With the bow unstrung walking along the trail, |
| the elbow. A slight degree of flexion here makes | | | | often we have stopped at the word of |
| for a good clearance of the string and adds | | | | command, strung the bow, drawn an arrow from |
| resiliency to the shot.The arrow is released by | | | | the quiver, nocked it, and discharged it within the |
| drawing the right hand further backward at the | | | | space of five seconds. Deliberation, however, is |
| same time the fingers slip off the string. This | | | | much more desirable.Let several archers go into |
| must be done so firmly, yet deftly, that no loss | | | | the fields together and roam over the land, aiming |
| of power results, and the releasing hand does not | | | | at various marks; it makes for robust and |
| draw the arrow out of line. Two great faults | | | | accurate game shooting.Shooting an exact line is |
| occur at this point: one is to permit the arrow to | | | | much easier than getting the exact length. For this |
| creep forward just before the release, and the | | | | reason it is easier to split the willow wand at sixty |
| other is to draw the hand away from the face in | | | | or eighty yards than it seems.Often we have |
| the act of releasing. Keep your fingers flexed and | | | | tried this feat to amuse ourselves or our friends, |
| your hand by your jaw. All the fingers of the right | | | | and seldom more than six arrows are needed to |
| hand must bear their proper share of work. The | | | | strike such a lath or stick at this distance. Hitting |
| great tendency is to permit the forefinger to | | | | objects tossed in the air is not so difficult either. |
| shirk and to put too much work on the ring | | | | A small tin can or box thrown fifteen or twenty |
| finger.If the arrow has a tendency to fall away | | | | feet upward at a distance of ten or fifteen yards |
| from the bow, tip the upper limb ten degrees to | | | | can be hit nearly every time, especially if the |
| the right and pull more on the right forefinger, also | | | | archer waits until it just reaches the apex of its |
| start the draw with the fingers more acutely | | | | course and shoots when it is practically |
| flexed, so that as the arrow is pinched between | | | | stationary.Shooting at swinging objects helps to |
| the first and second fingers and as they tend to | | | | train one in leading running or flying game.Turtle |
| straighten out under the pressure of the string, | | | | shooting, that form in which the arrow is |
| the arrow is pressed against the bow, not away | | | | discharged directly upward and is supposed to |
| from it.In grasping the bow with the left hand, it | | | | drop on the mark, is difficult and attended with |
| should rest comfortably in the palm and loosely at | | | | few hits, but it trains one in estimating wind |
| the beginning of the draw. The knuckle at the | | | | drift.An archer should also learn the elevation or |
| base of the thumb should be opposite the center | | | | trajectory at which his arrows fly at various |
| of the bow, the hand set straight on the wrist. As | | | | distances. Shooting in the woods over hanging |
| you draw, be sure that the arrow comes up in a | | | | limbs may interfere with a good shot. In this case |
| straight line with your mark, otherwise the bow | | | | the archer can kneel and thus lower his flight to |
| will be twisted in the grasp and deflect the shot. | | | | avoid interception.In kneeling it seems that the |
| Then fully drawn, set the grasp of the left hand | | | | right knee should be on the ground, while the left |
| without disturbing the position of the bow, make | | | | foot is forward. This is a natural pose to assume |
| the left arm as rigid as an oak limb; fix the | | | | during walking, and the left thigh should be held |
| muscles of the chest; make yourself inflexible | | | | out of the way of the bow-string. When not in |
| from head to toe. Keep your right elbow up and | | | | use, but braced, the bow should be carried in the |
| rivet your gaze upon your mark; release in a | | | | left hand, the string upward, the tip pointing |
| direct line backward. Everything must be under | | | | forward. It never should be swung about like a |
| the greatest tension, any weakening spoils your | | | | club nor shouldered like a gun.Shooting from |
| flight.The method of aiming in game shooting | | | | horseback is not impossible, but it must be done |
| consists in fixing binocular vision on the object to | | | | off the left side of the horse, and a certain |
| be hit, drawing the nock of the arrow beneath | | | | amount of practice is necessary for the horse as |
| the right eye and observing that the head of the | | | | well as for the archer.It is surprising how |
| arrow is in a direct line with the mark by the | | | | accurately one can shoot at night. Even the |
| indirect vision of the right eye. Both eyes are | | | | dimmest outline will serve the bowman, and his |
| open, both see the mark, but only the right | | | | shaft has an uncanny way of finding the |
| observes the arrowhead, the left ignores it. Your | | | | mark.When it comes to missing the mark, that is |
| vision must be so concentrated upon one point | | | | the subject for a sad story. It takes an |
| that all else fades from view. Just two things | | | | inveterate optimist to stand the moral strain of |
| exist--your mark and your arrowhead.At a range | | | | persistent missing. In fact, it is this that spoils the |
| of sixty or eighty yards, the head of the arrow | | | | archery career of many a tyro--he gives up in |
| seems to touch the mark while aiming. This is | | | | despair. It looks so easy, but really is so difficult |
| called point blank range. At shorter lengths the | | | | to hit the mark. But do not be cast down, keep |
| archer must estimate the distance below the | | | | eternally at practice, and ultimately you will be |
| mark on which his arrow seems to rest in order | | | | rewarded. Nothing stands a man in such good |
| to rise in a parabolic curve and strike the spot. At | | | | stead in this matter as to have started shooting |
| greater ranges he must estimate a distance | | | | in his youth.And do not imagine that we are |
| above the mark on which he holds his arrow in | | | | infallible in our shooting. Some of the most |
| order to drop it on the object of his shot.If his | | | | humiliating moments of our lives have come |
| shaft flies to the left, it is because he has not | | | | through poor shooting. Just when we wanted to |
| drawn the nock beneath his right eye, or he has | | | | do our best, before an expectant gathering, we |
| thrown his head out of line, or the string has hit | | | | have done our most stupid missing. But even this |
| his shirt sleeve or something has deflected the | | | | has its compensations and inures us to defeat.It is |
| arrow.If it falls to the right, it is because he has | | | | a striking fact that we shoot better when |
| made a forward, creeping release, or weakened in | | | | confronted by the game itself. Under actual |
| his bow arm, or in drawing to the center of the | | | | hunting conditions you will hit closer to your point |
| jaw instead of the angle beneath the eye.If the | | | | than on the target field.Study every move for |
| arrow rattles on the bow as it is released, or | | | | clean, accurate shooting, and analyze your failures |
| slaps it hard in passing, it is because it is not | | | | so that you can correct your faults. Extreme care |
| drawn up in true line, or because it fits too tightly | | | | and utmost effort will be rewarded by greater |
| on the string, or because the release is creeping | | | | accuracy.Other things being equal, it is the man |
| and weak. Always draw fully up to the barb.If his | | | | who shoots with his heart in his bow that hits the |
| arrows drop low and all else is right, it is because | | | | mark.The Author is Publisher of a website |
| he has not kept his tension, or has lowered his | | | | containing e-books and great information on |
| bow arm.After the arrow is released, the archer | | | | Bowhunting and Archery. |