| The Myth of the Invincible Sword Nearly all | | | | impact when parrying and can be prone to |
| cultures throughout history have been subject to | | | | breaking. Many styles of the sword offered little |
| the myth of the all-powerful sword. China's history | | | | hand protection and so the hand of a swordsman |
| is filled with legendary swords and swordsmen | | | | was a primary target. To counter this, some |
| some of whom even rose to the levels of gods. | | | | swords were built with elaborate basket-like |
| The Japanese have the legendary Samurai with | | | | guards to protect the hand. There are accounts |
| their world famous katana, often referred to as | | | | of the basket-hilt broadsword of Scottish |
| the Samurai sword. Cossack, Moor, and other | | | | highlander fame having to be pried off of the |
| Muslim cultures are often remembered as | | | | Highlander's hand after battle due to its collapsing |
| mounted, saber-wielding warriors. In Western | | | | under the pressure of enemy blows. The sword is |
| Europe the medieval knights were in no way an | | | | complicated to learn, time consuming to make, |
| exception to the sword culture. The sword's | | | | and generally an expensive arm. In medieval |
| symbolic connection to the heraldic nobility remains | | | | Europe, a single-handed broadsword could cost as |
| to this day, although in ceremonial form only. For | | | | much as 25,000 dollars by today's standards. The |
| most cultures around the world, the sword still | | | | Japanese katana was, in its own fashion, an |
| holds a position of reverence. I have dueled and | | | | equally high-priced weapon. One can see the |
| sparred with and against swords for many years | | | | obvious reasons why, during Eastern and Western |
| and yet I am still amazed when the first words | | | | sword histories, the weapon was really more of a |
| out of almost every new student are, 'I want to | | | | class and power symbol than a mainstream |
| learn how to fight with a sword.' I explain that | | | | weapon for war. There is a Japanese house code |
| unless your armored and riding a horse whenever | | | | that states "Do not yearn for katanas and tantos |
| the sword is pitted against nearly any other | | | | created by famous masters. A katana or tanto |
| ancient weapon of equal length or longer | | | | worth 10,000 pieces can be defeated by 100 yari |
| inevitability it comes up wanting. However, the | | | | (spears) each costing a 100 pieces. It is better to |
| invincible sword myth is so deeply ingrained in | | | | purchase 100 spears and arm 100 spearmen, in |
| human culture that such warnings are rarely | | | | this way you can defended yourself in time of |
| heeded, and predictably, the sword becomes | | | | war." (Toshikage Jushichikajo, 1480) Today the |
| most students' first focus. The sword's true | | | | sword and Samurai have nearly become the |
| combat nature can only be revealed through the | | | | same word. Yet during the height of the age of |
| handling of the real thing, authentic replicas, and | | | | the Samurai, the bow, naginata, and spear were |
| precise training weapons that are meticulously | | | | the main focus for war. The bow is found in the |
| designed for proper accuracy and use. With the | | | | earliest history of Samurai warfare and the |
| aide of such training tools the myth of the sword | | | | Yari-Samurai, elite spearmen, mounted or on foot, |
| can be unlocked, not just from a historical | | | | were among the highest valued warriors in a |
| approach but from a hands-on approach as well. | | | | warlord's army. The katana was more often used |
| Sadly, often schools do not follow an accuracy | | | | as a backup weapon and for personal ritualized |
| policy with training weapons or when sparring with | | | | dueling. In most cultures during the age of |
| weapons. This is one reason why there are so | | | | battlefield dueling, duels were fought on horseback |
| many misconceptions about genuine sword | | | | with bows or lances. If the warrior lost either of |
| combat. The Japanese sport of kendo is | | | | those weapons, he then used his sword as a last |
| commonly believed to be a martial art based on | | | | ditch effort to save or take his life. Around the |
| dueling with katanas. Nothing could be further | | | | same time the drafted peasant soldier of the late |
| from the truth. The two are as different as | | | | nineteenth century came into full force, the |
| kickball and baseball. The kendo sparring sword | | | | sword, due to its impractical functions on the |
| called a shinai is a straight sparring sword meant | | | | battlefield, was eventually reduced to an |
| to be a safe representation of the katana. This | | | | ornamental symbol of authority. During the |
| very light weapon averages anywhere from 35" | | | | Second World War the ancient Samurai sword |
| to 47" in length and is made of several straight | | | | that was made using the secrets of a holy |
| strips of bamboo bound together with leather. | | | | swordsmith still remained among the upper class, |
| With the exception of the lengths, the balance | | | | but the sword for the average officer was a |
| and design of this sparring tool from its tip to | | | | 1933 mass-produced weapon. This 1933 version |
| handle holds absolutely nothing in common with | | | | was designed so that the older traditional katana |
| the Samurai's curved katana. The shinai blade is | | | | blade could fit into the handle and replace the |
| straight and its handle is long, round, and wrapped | | | | standard contemporary blade. Because of the |
| in a soft leather sheath. The katana blade is | | | | entertainment industry from ancient times to the |
| curved and its handle is long and somewhat egg | | | | present, the myth of the swordsman's abilities |
| shaped but a little more flat along the sides, and it | | | | has always been far beyond any true feat of real |
| is braided. The hits and points scored in sport | | | | swordsmanship. The western broadsword has |
| kendo have more in common with European | | | | followed the same path as the eastern swords, |
| cudgel play or fencing than with a katana duel. | | | | only it has been even further reduced into a |
| Points are most often scored with snapping hits | | | | simplistic, shining hip-hanger used only for parade. |
| as opposed to the drawing cuts that come | | | | The Chinese straight sword has not escaped this |
| naturally with a curved blade. Though snap cuts | | | | symbolism either. It has been reduced to a |
| are also a part of the katana's arsenal they are | | | | lightweight flimsy show piece far more suitable for |
| not a staple of attack as in kendo. A closer | | | | fast acrobatic Wu-Su routines then actual combat. |
| representation would be sparring with curved | | | | What the general public has been led to believe |
| wooden bokkens, which are considerably more | | | | almost entirely through the media is that the |
| accurate reproductions of the katana and were | | | | sword was the most powerful dueling weapon of |
| the traditional training weapon of the classical | | | | all times. There are many reasons why the sword |
| Bushi. The bokken offers a close though not | | | | could not actually hold this title. First as mentioned |
| completely accurate representation of a bladed | | | | is reach; second, arch versus thrust; third and |
| katana duel and was often used for dueling as a | | | | most important, exposure. To better explain the |
| replacement for real swords. Miyamoto Musashi, | | | | realities of sword combat and the troubles a |
| arguably one of the greatest swordsmen in | | | | swordsman would have, consider facing a |
| Japanese history, by his own account won several | | | | spearman with a sword. To start the |
| duels against katanas with a bokken. As with | | | | swordsman's troubles, the spearman need only |
| shinais, the same problem arises from modern | | | | keep the swordsman the distance of a spear |
| and the ancient western forms of cudgel play. | | | | thrust away. In doing so, the swordsman is put in |
| The rattan or other wooden forms of | | | | danger of spear attacks while his target, the |
| broadswords are bulkier, unbalanced, poorly | | | | spearman, remains out of reach. Being out of |
| weighted, and often have no obvious flat side to | | | | reach of the attacks of his opponent, the |
| parry with. Because of these design flaws cudgel | | | | spearman has many advantages added to his |
| play can only be considered a sport not a form of | | | | hopes of self-preservation. A spear, or even a |
| combat. One should not compare these | | | | lance of ten feet or less, can both cut and thrust |
| sport-related styles of combat to the real thing. A | | | | like a sword and so deliver a variety of attacks |
| comparison cannot accurately be made if for no | | | | without fear of immediate counterattack. For the |
| other reason than the sparring weapons are so | | | | swordsman to survive, he needs to close the |
| dramatically removed in weight, shape, and design | | | | distance on his opponent while trying to ward off |
| from the weapons they are supposed to replicate. | | | | thrusts and cuts from the attacking spear. The |
| When a student reaches a high enough sword skill | | | | spearman need only keep attacking while |
| to spar against other types of weapons, the | | | | retreating or circling a few steps if necessary. |
| design flaws of the sword as a singly competitive | | | | This is comparable to a man with an empty |
| weapon become painfully obvious. It is not long | | | | eighteenth-century musket fighting a ten-pace |
| after this realization that the sword student fades | | | | duel against a man with a colt revolver. Unless an |
| out of the picture along with dreams of becoming | | | | act of God occurs, the musketeer is in for hard |
| an invincible swordsman. The few persistent | | | | times. The next problem is the issue of arch |
| sword students who remain quickly find the value | | | | versus thrust. Everyone has seen a movie where |
| of an added weapon to their free hand. Shields, | | | | the hapless spearman comes charging in with a |
| maces, flails, daggers, or other swords become | | | | stiff-armed thrust at the hero, who is always a |
| the new order of training. With a little more | | | | swordsman, who jumps to the side and chops |
| sparring, the student begins to see the ultimate | | | | the oncoming spear in two. This is a perfect |
| truth behind the myth of the sword. Even with | | | | example of the mythological power of the arching |
| the aid of another weapon, it is a very difficult | | | | sword stroke in its full absurdity. If the |
| task for a swordsman to defeat longer-reaching | | | | swordsman were to attempt a wasted motion |
| weapons. When a swordsman is matched up | | | | like trying to cut the assaulting spear in two, it |
| against a weapon that is longer and therefore | | | | would be an ill-fated move for two reasons: it |
| holds greater reach capabilities that swordsman's | | | | seriously exposes the swordsman to a |
| chance of survival drops dramatically. Without the | | | | counterattack, and it is an almost impossible cut |
| aid of a companion weapon, even a highly skilled | | | | to make. It is one thing to cut in two a shaft |
| swordsman finds it difficult to defeat lesser skilled | | | | stuck firmly in the ground, it is another thing |
| opponents with longer- reaching weapons. The | | | | entirely to try and cut in two a free-floating shaft |
| sword master Miyamoto Musashi, victor of sixty | | | | that deflects on impact. Try hanging a spear-like |
| life-and-death encounters, was in a famous duel of | | | | shaft in the air by attaching a rope to the butt of |
| record against the long-swordsman, Sasaki Kojiro. | | | | the shaft and attaching another rope at a halfway |
| Kojiro called his sword 'clothes pole' because of its | | | | point. Then try to chop that shaft in two with a |
| unique design: a long, straight, blade quite the | | | | single or several strokes. When you are through |
| contrary to its contemporary, the curved katana. | | | | shaking your head, all those great movies will be |
| When Musashi dueled Kojiro, he was not wielding a | | | | ruined forever. The easily imagined results of this |
| curved katana of his own or even using his | | | | simple test are exactly like the real results of |
| famous two-sword style. Instead he wisely used | | | | such a cut. The reader can see just how unlikely |
| a large, carved boat oar to defeat his opponent. | | | | performing that cut actually is. Some Arthurian |
| This boat oar gave Musashi two very important | | | | legends claimed the sword, Excalibur, could cut a |
| advantages: first he did not have to concern | | | | boulder in two as though the rock was made of |
| himself with the angles of his cuts, and second, he | | | | butter. Strangely, no sword culture can deny |
| did not have to worry about parrying with his | | | | having myths of an equal nature to that of |
| sword and having it destroyed by a big boat oar. | | | | Excalibur's. There is also a Japanese legend of a |
| It is no mystery why Musashi won this duel. | | | | katana so sharp that when it was left stuck in a |
| When two duelers meet and are equal or even | | | | stream, floating leaves were not sliced in-two by |
| close to equal in skills, the odds go to the dueler | | | | it but actually purposely avoided the sword's edge. |
| with the technological advantage. I know the | | | | Legends of this nature have always led the |
| entertainment industry would have us believe | | | | populous into believing that in the realm of edged |
| otherwise, but when it comes to sparring or | | | | weapons, the sword holds full royalties on slicing |
| dueling with weapons, you can't change the math | | | | and chopping abilities. This is simply not true |
| behind the design of the weapon, techniques, and | | | | regarding personal combat. All of the elite |
| the movement the weapon's nature requires. | | | | warrior-based cultures knew and used the |
| George Silver, an accomplished dueler and | | | | advantages of thrusting and slicing with a spear as |
| prizefighter who wrote two treatises on combat | | | | well as other long-reaching weapons. The |
| in 1599, Brief Instructions and Paradoxes of | | | | difficulties of getting past that deadly reaching |
| Defense pointed out in his works, and I | | | | spear would be no small task for a swordsman. In |
| paraphrase, "He who moves in the least amount | | | | addition to this reach advantage, even a |
| of space and time, moves ahead of his opponent | | | | moderately skilled spear fighter can deliver several |
| and so stays out of harm while being able to | | | | thrusts or cuts to an oncoming swordsman |
| inflect harm." To make Silver's point consider the | | | | before that sword can reach its target. History |
| story of David and Goliath. Goliath is unrivaled on | | | | has shown us that one of those many spear cuts |
| the battlefield and no Israelite can stand against | | | | would be to either to the swordsman's lead knee, |
| him in single combat. He holds several advantages | | | | hand, arm, or foot. A good hit to any of these |
| over his opponents: he is stronger and so can | | | | areas would end the swordsman's attack |
| attack and defend with more power than his | | | | promptly. A common misjudgment is that a large |
| opponent; he is taller which gives him the ability to | | | | portion of a weapon's edge needs to strike the |
| both outreach and outstride his opponents; and he | | | | surface to do any real damage. An edge need |
| is undefeated, which gives him a psychological | | | | only penetrate the depth of three fingers in the |
| advantage over his opponents. Goliath would likely | | | | right areas of the human anatomy to be a fatal |
| have been armored and have the contemporary | | | | hit or lead to one. Though the stroke to the knee |
| weapons of the times, bronze or leather armor, a | | | | is not a fatal blow, worldwide archaeological finds |
| bronze or wicker shield, spear, and according to | | | | from battle sites involving ancient weapons have |
| legend a great sword. On the other side of the | | | | consistently shown that such a wound led to a |
| dueling scale is the boy, David. David is a mere | | | | final lethal blow. In these archaeological digs, large |
| sheep-herding child, not even a warrior in the | | | | percentages of the fallen were first struck at the |
| traditional sense. David's only weapon is a sling. It | | | | bend of the knee, or other exposed appendages, |
| would appear that the scales tip heavily in favor | | | | and then delivered a fatal blow while they lay |
| of Goliath, but a more detailed look reveals the | | | | prostrate from the first injury. By studying the |
| opposite. The sling is a formidable weapon in this | | | | results of many years of full-contact dueling with |
| realm of single combat, especially single combat | | | | training and blunted weapons, I have rarely found |
| on an open battlefield that offers room to | | | | this cut to a charging opponent's knee, ankle or |
| maneuver. Bearing in mind the nature of the | | | | foot to fail. An equally successful tactic is thrusting |
| ground in the Middle East, David also had plenty of | | | | into the opponent's oncoming feet. When infantry |
| rocks to choose from while maneuvering. Out of | | | | used swords and shields against lance-carrying |
| necessity as a sheepherder, he would have been | | | | cavalry, the results nearly always ended in |
| a well-practiced slinger and skilled at keeping | | | | disaster for the foot soldier. When foot soldiers |
| predators away from the herd with endless days | | | | replaced swords with spears and lances, the |
| to spend flinging rocks with his sling to pass the | | | | disaster fell on the heavy cavalry. It was so |
| time away. With those skills he could have | | | | effective that infantry pike units became the |
| continually launched a rock at Goliath for every | | | | standard for hundreds of years. Pike units were |
| other step Goliath did or did not take, all the while | | | | not removed from the battlefield until the advent |
| staying out of reach of Goliath's weapons; thus | | | | of efficient firearms sporting bayonets, which was |
| fulfilling Silvers' recipe for victory. Due to its | | | | not the demise of the pole weapon but rather a |
| translation through time, the story has led us to | | | | merger of pike and gun. When the sword is pitted |
| believe that David's sling was both laughable and | | | | against a spear, the swordsman also has to |
| ultimately a shock to Goliath. Neither would be | | | | overcome the issue of too much exposure. |
| true, the sling has been around for a long time | | | | Combat manuscripts of old break the sword |
| and was a commonplace weapon in early biblical | | | | down into sections depending on the type of |
| warfare. It is reasonable to believe that Goliath | | | | sword. The first third of the blade from its tip |
| was defeated because of the nature of the | | | | down was for cutting, the next third was for soft |
| weapon's reach, the terrain conditions, and the | | | | parries, and the final third above the hand guard |
| psychological effects of the whole scheme of | | | | was for heavy parries and coming to grips with |
| things, i.e., the undefeated war giant versus a | | | | your opponent. The old masters from the East |
| sheep-herding boy with everybody watching. How | | | | and West also wrote that the preferred method |
| much time would Goliath spend hiding behind his | | | | of defense with a sword was simply to avoid |
| shield from a boy while the Philistine and Israeli | | | | your opponent's attacks physically and through |
| armies watched? Let us assume that Goliath, like | | | | footwork. This method was preferred over |
| every other solider during biblical warfare, has | | | | jeopardizing your sword's cutting edge and its |
| seen a sling in action before, as opposed to the | | | | structural integrity by using it to fend off blows |
| common belief that he thought it laughable and fell | | | | from other weapons. With exceptions, the sword |
| victim to his overconfidence. Goliath could hide | | | | length averages from 20 to 42 inches. On the |
| behind his shield and try to close within sword | | | | contrary, the smallest battlefield spear is around |
| range, but in order to hit David he has to be able | | | | six feet in length with a shaft designed for |
| to see him. When Goliath exposes his face to | | | | warding off blows from other weapons. The |
| look, David only needs to time his next rock for | | | | swordsman must also overcome the limited range |
| impact into that exposed moment. It is nearly | | | | of his defense, referring not only to the sword's |
| impossible to successfully time a parry against a | | | | reach but also the axis with which one can parry |
| missile weapon launched at close range. The | | | | and so defend the body. Take into account the |
| smaller the projectile, David's rock, the more | | | | mechanics of the human body and the length, |
| difficult it is to see, calculate its speed, and | | | | manner, and design of the weapon being used. |
| accurately react to defending the target area of | | | | The nature of the sword creates a problem when |
| its destination. Also added to David's advantages | | | | defending above or below the waist. The problem |
| is he can launch his rocks continually. With the sling | | | | is to defend one's body above or below one |
| David can follow a familiar formula: he can attack | | | | must, by the nature of the sword, expose the |
| repeatedly while remaining out of reach of his | | | | opposite of what is defended. This is true with all |
| opponent's assaults. At best Goliath would have | | | | weapons but to a higher degree with sword and |
| had the opportunity for one spear throw at | | | | similar weapons. The pole arm offers considerably |
| David, but again at the cost of over exposing | | | | more options. By tipping the weapon vertically, |
| himself to David's faster sling attacks. After that | | | | horizontally, or diagonally out from the body, one |
| spear throw its back to sword range. Whatever | | | | can readily defend and strike from any axis of |
| tactic Goliath used we all know the result of it. | | | | the body. The pole arm fighter does not even |
| Musashi used a similar technique to David's against | | | | have to resort to this guard until the swordsman |
| the chain and sickle fighter Shishido Baiken. Again, | | | | gets in close enough to be a threat. The |
| rather than use his sword and face the extra | | | | swordsman, on trying to close, has to defend too |
| challenges that comes with it, Musashi opts to | | | | much exposed area and so is subject to attack |
| make a close range throw of his tanto, a | | | | at several areas on his body. To a large degree |
| Japanese dagger which hits and kills his | | | | this is why the shield was developed. In most |
| unsuspecting opponent. In the West, one seldom | | | | cultures, the shield was developed for war and |
| hears of duels pitting a sword against another | | | | not dueling. The shield was designed to be part of |
| type of weapon. In Europe it was considered an | | | | a wall of shields used as a defensive battle tactic |
| unfair advantage to mix weapons during duels. | | | | as demonstrated by the front lines of a Greek |
| The European duel was as often a matter of | | | | phalanx, the Roman turtle formation, and the |
| righting wrongs and maintaining honor as it was | | | | Viking shield wall. In a duel or single combat, the |
| about issues of martial skills. In the East reasons | | | | shield is used in a considerably different manner |
| for dueling ranged from matters of honor to | | | | than in a melee or mass melee. Regardless of |
| testing martial skills. One dueled with whatever | | | | how it is used, the shield can only effectively |
| weapon one specialized in, and it was believed if | | | | protect one side of the body during a charge and |
| you were a warrior you should be able to defend | | | | so forces the wielder to defend his opposite side |
| yourself with your weapon regardless of what | | | | with the sword. Because of the leverage that can |
| your opponent was using, the only true rule was | | | | be placed behind a thrusting or sweeping pole |
| to win. This is a much harder test of skills than to | | | | attack, the sword and its wielding arm cannot |
| be protected by the equality of weapons. | | | | compete with the impact of an oncoming pole |
| Knowing this, one must question why dueling with | | | | weapon As mentioned earlier, this is especially |
| the katana did not reach its peak until after the | | | | true when a sweeping spear cut or a thrust is |
| age of elite Samurai warriors. After the | | | | delivered to the swordsman's stressed knee, |
| dismantling of the Samurai class, an action that | | | | ankle, or foot. Such an attack forces the |
| turned the once proud warrior class into living | | | | swordsman to bring the tip of his sword down; |
| archives of an age gone for good. During this later | | | | the arm position would be the equivalent of |
| era, most Japanese field weapons became | | | | completely emptying a drinking mug gripped in |
| obsolete and where impractical to carry in public. | | | | your hand. Doing this simple motion the reader |
| With a major decline in the use of most battlefield | | | | can see how the position is both awkward and |
| weapons, the time for the sword to shine was at | | | | weak; furthermore, the position also exposes the |
| hand. The katana became the Samurai's last | | | | upper torso. The lower guard that could be used |
| symbolic hold on an ancient warrior system soon | | | | exposes even more of the swordsman's body. A |
| to be completely outdated by cheaper and more | | | | high or low, well-timed thrust or cut to this weak |
| efficient guns. The replacement of the elite | | | | side will put an end to the charging swordsman. |
| warrior class by the gun was not a phenomenon | | | | Though I have used the spear here as the |
| known only to the Japanese. The gun in its own | | | | swordsman's nemesis, one can see that any |
| time systematically brought about the dismantling | | | | weapon of greater length or weight would prove |
| of the elite warrior classes worldwide. The | | | | technologically superior. It becomes obvious why |
| Chinese Boxers, the Scots Highlanders, the Zulu, | | | | the swordsman's survival is so unlikely. The sword |
| the Aborigines, and the American Indians were | | | | has come to stand on a solid throne where its |
| among the last holdouts of the warrior elite, and | | | | powers are more mythical than the |
| they all fell victim to the gun. For most of these | | | | sword-wielding heroes themselves. We have |
| warrior cultures the sword became a symbolic | | | | come to believe the sword and its powers as the |
| relic of an age far more romantic then it actually | | | | staple of all the classical warrior societies. Swords |
| was. Since the end of the elite warrior classes the | | | | have been given names and positions of power; |
| facts regarding the sword and its value as a | | | | some were even believed to be magical. The right |
| weapon have been exaggerated far and away | | | | person with the right sword could smite injustice, |
| beyond its real functions as an instrument of war. | | | | slay the wicked, and restore kingdoms, assuming |
| The sword has several weaknesses as a combat | | | | that is no one else shows up with a spear, |
| weapon. Due to its limited reach or in the case of | | | | halberd, pole-flail, rake, pitchfork, or sling. The |
| the great sword, excessive length; one has less | | | | entertainment industry may keep the sword on a |
| time for reaction to an opponent's attack. The | | | | throne of power and awe, but for those who |
| sword's edge is fragile and easily damaged so | | | | have fought with and against the sword in all its |
| parries need to be made with the flat of the | | | | manifestations, it's a translucent and mythological |
| blade, making defense both complicated and | | | | throne. By Larry L Andrews Find much more at |
| cumbersome. The tang of the sword, the blade's | | | | spearduel. |
| extension into the handle, receives most of the | | | | |